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Postdigital Performances of Care : Technology & Pandemic
Covid-19 has been described as a ‘digital pandemic’.But who might the characterisation of the pandemic as ‘digital’ leave behind?This timely book reconsiders the pandemic as ‘postdigital’, examining tensions between a growing postdigital attitude of disenchantment with digital technologies and the increasing reliance on adapted modes of online practice mid-lockdown in both performance-making and healthcare. What emerged amidst the pandemic restrictions was a theatre that was unable to show its face, instead adapting into a variety of ‘covid-safe’ remote forms of engagement, from ‘Zoom plays’ to self-generating experiences sent by post.This book explores the ways that both performances and healthcare practices found proxies for direct touch and face-to-face encounters, deconstructing the way that care and resilience were spectacularized by political actors online. Liam Jarvis and Karen Savage explore aspects of care in relation to technology, spectacle and facilitation, and how new modes of delivery and the repurposing of theatre spaces that were displaced amidst the mass migration online have been enabling as well as controversial.The variety of case studies assessed includes internet memes, online films, performances of everyday resilience through social media and participatory theatre productions, including Thaddeus Phillips’ Zoom Motel, Coney’s Telephone and Nightcap’s Handle with Care.
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Postdigital Performances of Care : Technology & Pandemic
Covid-19 has been described as a ‘digital pandemic’.But who might the characterisation of the pandemic as ‘digital’ leave behind?This timely book reconsiders the pandemic as ‘postdigital’, examining tensions between a growing postdigital attitude of disenchantment with digital technologies and the increasing reliance on adapted modes of online practice mid-lockdown in both performance-making and healthcare. What emerged amidst the pandemic restrictions was a theatre that was unable to show its face, instead adapting into a variety of ‘covid-safe’ remote forms of engagement, from ‘Zoom plays’ to self-generating experiences sent by post.This book explores the ways that both performances and healthcare practices found proxies for direct touch and face-to-face encounters, deconstructing the way that care and resilience were spectacularized by political actors online. Liam Jarvis and Karen Savage explore aspects of care in relation to technology, spectacle and facilitation, and how new modes of delivery and the repurposing of theatre spaces that were displaced amidst the mass migration online have been enabling as well as controversial.The variety of case studies assessed includes internet memes, online films, performances of everyday resilience through social media and participatory theatre productions, including Thaddeus Phillips’ Zoom Motel, Coney’s Telephone and Nightcap’s Handle with Care.
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Innovation in Information Technology
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Home with Hip Hop Feminism : Performances in Communication and Culture
This book has won the 2015 Top Book Award from the NCA African American Communication and Culture Division (AACCD) of NCA Home with Hip Hop Feminism brings together popular culture and the everyday experiences of black women from the hip hop generation to highlight the epiphanic moments when the imagined and real body converge or collide. To date, there are no books devoted exclusively to black women that integrate performance auto/ethnography and media studies from a hip hop feminist perspective.This book serves as a three-sided intervention against a textually dominated feminist media studies, a white-centered feminist third wave theory, and a masculinist hip hop cultural project.Aisha S. Durham not only reclaims her voice in these three spaces, she also rewrites her hip hop history by returning to the intellectual, cultural, and physical places she calls home. The book will appeal to undergraduate and graduate students interested in media and cultural studies, race and ethnic studies, and gender and sexuality studies.
Price: 31.65 £ | Shipping*: 0.00 £
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How can I get piano performances?
You can get piano performances by attending live concerts, recitals, or music festivals that feature piano music. You can also search for piano performances online on platforms like YouTube, Vimeo, or music streaming services. Additionally, you can hire a pianist to perform at events or special occasions, or take piano lessons yourself to learn how to perform on the piano.
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What are some tips for performances?
Some tips for performances include practicing regularly to build confidence and familiarity with the material, focusing on breathing techniques to control nerves and project your voice, maintaining good posture and body language to engage the audience, and staying present in the moment to connect with your performance. It's also important to prepare mentally by visualizing a successful performance and staying positive. Lastly, remember to have fun and enjoy the experience of sharing your talent with others.
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What are the best acting performances?
The best acting performances are those that are able to fully immerse the audience in the character and story. They are able to convey a wide range of emotions and bring depth and complexity to their characters. The best performances are often those that feel authentic and genuine, leaving a lasting impact on the audience. Additionally, performances that are able to evoke empathy and connection with the audience are often considered the best.
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Does Rammstein lip-sync during their performances?
No, Rammstein does not lip-sync during their performances. The band is known for their high-energy live shows and they take pride in delivering authentic and powerful performances. Each member of the band sings and plays their instruments live on stage, creating a dynamic and engaging experience for their audience.
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Directing Screen Performances
The core goal of Directing Screen Performances is to teach aspiring directors how to prepare and work with actors.Through a practical exploration of the major approaches to contemporary screen acting, you will learn how to formulate your own effective modes of communication to craft compelling performances. Directing performances for the screen starts well before the actor is cast and finishes well after the last slate is shot.In this book you will learn how to analyze a script, brief the casting director, rehearse the actors, decide on the visual treatment that enriches their performances, direct effectively on set and finesse the character in the edit.The director's process is clearly defined and augmented with illustrations, photographs and graphics, and each chapter concludes with practical exercises to consolidate the new knowledge.
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Critical ICT4D (Information and Communication Technologies for Development)
The edited volume Critical ICT4D highlights the need for a paradigm change in theorising, designing, and researching Information and Communication Technologies for Development (ICT4D).Engaging authors from the Majority World and entering a process of restoring epistemic justice in knowledge production and ownership, the text:Reflects on the histories and narratives around development programmes, their deep-rooted socio-political background, and the power relations integrated into or induced by such measuresProblematises the current scholarship and practices through decolonial and pluralistic approaches built with an explicit perspective of resisting epistemic violenceConstructs justice-enacting engagements of technologies with society. Offering thematic discussions in many development sectors with up-to-date case studies informed by recent research in the field, it sheds light on constructive contributions of critical ICT4D research.Written in accessible language, the book will appeal to postgraduate students, fellow researchers, policymakers in the fields of sociology, development studies, STS, critical data studies, surveillance studies, international relations, public administration, and information systems.
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Critical ICT4D (Information and Communication Technologies for Development)
The edited volume Critical ICT4D highlights the need for a paradigm change in theorising, designing, and researching Information and Communication Technologies for Development (ICT4D).Engaging authors from the Majority World and entering a process of restoring epistemic justice in knowledge production and ownership, the text:Reflects on the histories and narratives around development programmes, their deep-rooted socio-political background, and the power relations integrated into or induced by such measuresProblematises the current scholarship and practices through decolonial and pluralistic approaches built with an explicit perspective of resisting epistemic violenceConstructs justice-enacting engagements of technologies with society. Offering thematic discussions in many development sectors with up-to-date case studies informed by recent research in the field, it sheds light on constructive contributions of critical ICT4D research.Written in accessible language, the book will appeal to postgraduate students, fellow researchers, policymakers in the fields of sociology, development studies, STS, critical data studies, surveillance studies, international relations, public administration, and information systems.
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William Kapell: Live Performances
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How long do the magic performances last?
The magic performances typically last between 30 minutes to 1 hour, depending on the type of show and the magician's style. Some performances may be shorter for children's shows or longer for stage performances. The duration of the magic show is usually determined by the magician and can vary based on the audience's engagement and participation.
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How are the performances in Sims 4?
The performances in Sims 4 are generally well-received by players and critics alike. The game features smooth animations, detailed facial expressions, and realistic interactions between characters, which enhance the overall gameplay experience. Players appreciate the variety of emotions and behaviors that their Sims can exhibit, making the performances feel more authentic and engaging. Overall, the performances in Sims 4 contribute to the game's immersive and entertaining gameplay.
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Which music is suitable for witch performances?
Music that is dark, eerie, and mystical is typically suitable for witch performances. This can include genres such as dark ambient, neofolk, or gothic music. Songs with haunting melodies, ethereal vocals, and occult themes can help create an atmospheric and immersive experience for the audience during a witch performance. Ultimately, the music chosen should complement the overall mood and aesthetic of the performance.
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How long do theater performances typically last?
The length of theater performances can vary depending on the production. On average, most theater performances last between 2 to 3 hours, including an intermission. However, some performances can be shorter, running around 90 minutes, while others, such as operas or musicals, can last closer to 3 to 4 hours. It's always a good idea to check the specific running time of a production before attending.
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