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The Auditions
Competition is fierce at the All-Stars Academy in the USA – can the new girl, Georgie, outshine her rivals? A brand new pony adventure series from the author of the bestselling pony series, Pony Club Secrets. Perfect for fans of Esme Higgs’s Starlight Stables books, Olivia Tuffin, Pippa Funnell and Amanda Willis. The Blainford ‘All-Stars’ Academy is the most elite horse riding school ever and it’s auditions time for next year’s new students! The hopefuls must battle for a place against the most talented riders from around the world.Friendships are quickly made, but with rivalries hotting up inside AND outside the arena, who will stay focused and outshine the competition? With all the glitz and glamour of international eventing and the daily dramas of high school life, ‘Pony Club Rivals’ is a sure-fire hit!
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Alternative Shakespeare Auditions for Men
Auditioners often complain of seeing the same speeches over and over again.This book brings together 50 speeches for men from Shakespeare plays frequently ignored such as Titus Andronicus", "Pericles" and "Love's Labours Lost".It also includes good, but over-looked speeches from the more popular plays such as Octavius Caesar from "Antony and Cleopatra", Leontes from "The Winter's Tale" and Buckingham from "Richard III".Each speech is accompanied by a character description, brief explanation of the context, and notes on obscure words, phrases and references - all written from the viewpoint of the auditioning actor."
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Test Pieces for Orchestral Auditions (Trumpet)
For many years orchestras and conservatories have wanted a practical and easily accessible edition of the orchestral passages required at auditions. An orchestral musician is expected to know and to have mastered not only the solo literature of his instrument but especially the opera and concert repertoire as well. The present edition contains those passages which a musician is expected to have at his or her command before being accepted into an orchestra. Unlike the many existing "orchestral studies", this collection focuses on the material commonly used in auditions. It thus forms a foundation for the practical training of young orchestral musicians, and serves professional musicians as a means of practicing difficult passages. This project was initiated at the behest of the German Music Council and the German conservatories. It is based on statistical studies carried out by the German Union of Orchestras and from many years of professional experience gained by the editors themselves, all of whom are members of orchestras and conservatory staffs. Orchester Probespiel TrompeteSeit langem besteht in Orchestem und ,an den ausbildenden Hochschulen der Wunsch nach einer praktischen und leicht zuganglichen Ausgabe der bei einem Probespiel vorgelegten Orchesterstellen. Von einem Orchestermusiker wird erwartet, daS er neben der Sololiteratur seines Instrumentes insbesondere das Repertoire der Opem- und K.onzertliteratur kennt und beherrscht. Fiir die vorliegende Ausgabe wurden jene Passagen zusammengestellt, deren Beherrschung unabdingbare Voraussetzung fiir die Aufnahme in ein Orchester is . Im Unterschied zu den in groBer Fiille vorhandenen , Orchesterstudien" konzentriert sich die Sammlung auf das in der Probespiel-Praxis iibliche Material. Sie bildet somit eine Grundlage fiir die praxisorientierte Ausbildung des Orchestemachwuchses; dem praktizierenden Musiker dient sie dariiber hinaus zur wiederholten Ubung schwieriger Stellen. Angeregt wurde das Projekt vom Deutschen Musikrat und den Musikhochschulen. Die Auswahl der Orchesterstellen beruht auf einer statistischen Erhebung der Deutschen Orche-stervereinigung (DOV) sowie auf der langjalirigen Berufserfahrung der einzelnen Herausgeber als Orchestermusiker und Hochschulpadagogen.
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What does Blind Auditions mean?
Blind auditions refer to a process in which the judges or panel members evaluating the performers are unable to see the contestant. This is typically done to ensure that the judges are basing their evaluations solely on the contestant's talent and not on their appearance, gender, or any other external factors. The purpose of blind auditions is to promote fairness and impartiality in the selection process, allowing the judges to focus solely on the contestant's vocal abilities.
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Are there film auditions for children?
Yes, there are film auditions specifically for children. Many casting agencies and production companies hold auditions for child actors when casting for roles in movies, television shows, commercials, and other projects. These auditions are often advertised through talent agencies, online casting websites, and industry publications. Parents or guardians typically accompany children to auditions and are involved in the casting process.
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When are auditions held for ballet?
Auditions for ballet are typically held throughout the year, with many professional ballet companies holding auditions in the spring and summer months for their upcoming seasons. Additionally, many ballet schools and training programs hold auditions in the spring for their fall programs. It's important for aspiring ballet dancers to research and keep an eye on the websites and social media pages of the companies and schools they are interested in to stay updated on audition dates and requirements.
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How does one get to acting auditions?
To get to acting auditions, one can start by researching casting calls online on websites like Backstage or Casting Networks. It is also helpful to have a talent agent or manager who can submit you for auditions. Networking within the industry, attending workshops, and joining acting classes can also help in getting audition opportunities. Additionally, keeping an updated resume and headshots ready is essential for submitting to casting calls.
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Test Pieces for Orchestral Auditions: Trombone
For many years orchestras and conservatories have wanted a practical and easily accessible edition of the orchestral passages required at auditions. An orchestral musician is expected to know and to have mastered not only the solo literature of his instrument but especially the opera and concert repertoire as well. The present edition contains those passages which a musician is expected to have at his or her command before being accepted into an orchestra. Unlike the many existing "orchestral studies", this collection focuses on the material commonly used in auditions. It thus forms a foundation for the practical training of young orchestral musicians, and serves professional musicians as a means of practicing difficult passages. This project was initiated at the behest of the German Music Council and the German conservatories. It is based on statistical studies carried out by the German Union of Orchestras and from many years of professional experience gained by the editors themselves, all of whom are members of orchestras and conservatory staffs.Orchester-Probespiel: Posaune: Sammlung wichtiger Passagen aus der Opern- und KonzertliteraturSeit langem besteht in Orchestem und ,an den ausbildenden Hochschulen der Wunsch nach einer praktischen und leicht zuganglichen Ausgabe der bei einem Probespiel vorgelegten Orchesterstellen. Von einem Orchestermusiker wird erwartet, daS er neben der Sololiteratur seines Instrumentes insbesondere das Repertoire der Opem- und K.onzertliteratur kennt und beherrscht. Fiir die vorliegende Ausgabe wurden jene Passagen zusammengestellt, deren Beherrschung unabdingbare Voraussetzung fiir die Aufnahme in ein Orchester is . Im Unterschied zu den in groBer Fiille vorhandenen , Orchesterstudien" konzentriert sich die Sammlung auf das in der Probespiel-Praxis iibliche Material. Sie bildet somit eine Grundlage fiir die praxisorientierte Ausbildung des Orchestemachwuchses; dem praktizierenden Musiker dient sie dariiber hinaus zur wiederholten Ubung schwieriger Stellen. Angeregt wurde das Projekt vom Deutschen Musikrat und den Musikhochschulen. Die Auswahl der Orchesterstellen beruht auf einer statistischen Erhebung der Deutschen Orche-stervereinigung (DOV) sowie auf der langjalirigen Berufserfahrung der einzelnen Herausgeber als Orchestermusiker und Hochschulpadagogen.
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Test Pieces for Orchestral Auditions: French Horn
For many years orchestras and conservatories have wanted a practical and easily accessible edition of the orchestral passages required at auditions. An orchestral musician is expected to know and to have mastered not only the solo literature of his instrument but especially the opera and concert repertoire as well. The present edition contains those passages which a musician is expected to have at his or her command before being accepted into an orchestra. Unlike the many existing "orchestral studies", this collection focuses on the material commonly used in auditions. It thus forms a foundation for the practical training of young orchestral musicians, and serves professional musicians as a means of practicing difficult passages. This project was initiated at the behest of the German Music Council and the German conservatories. It is based on statistical studies carried out by the German Union of Orchestras and from many years of professional experience gained by the editors themselves, all of whom are members of orchestras and conservatory staffs.Orchester-Probespiel: HornSeit langem besteht in Orchestem und ,an den ausbildenden Hochschulen der Wunsch nach einer praktischen und leicht zuganglichen Ausgabe der bei einem Probespiel vorgelegten Orchesterstellen. Von einem Orchestermusiker wird erwartet, daS er neben der Sololiteratur seines Instrumentes insbesondere das Repertoire der Opem- und K.onzertliteratur kennt und beherrscht. Fiir die vorliegende Ausgabe wurden jene Passagen zusammengestellt, deren Beherrschung unabdingbare Voraussetzung fiir die Aufnahme in ein Orchester is . Im Unterschied zu den in groBer Fiille vorhandenen , Orchesterstudien" konzentriert sich die Sammlung auf das in der Probespiel-Praxis iibliche Material. Sie bildet somit eine Grundlage fiir die praxisorientierte Ausbildung des Orchestemachwuchses; dem praktizierenden Musiker dient sie dariiber hinaus zur wiederholten Ubung schwieriger Stellen. Angeregt wurde das Projekt vom Deutschen Musikrat und den Musikhochschulen. Die Auswahl der Orchesterstellen beruht auf einer statistischen Erhebung der Deutschen Orche-stervereinigung (DOV) sowie auf der langjalirigen Berufserfahrung der einzelnen Herausgeber als Orchestermusiker und Hochschulpadagogen..
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National Youth Theatre Monologues : 75 Speeches for Auditions
An exciting and invaluable collection of audition speeches, all chosen from plays produced by the National Youth Theatre of Great Britain, spanning more than sixty years as one of the world's leading companies for young performers. Featuring seventy-five monologues by acclaimed writers such as Zawe Ashton, Moira Buffini, Carol Ann Duffy, Brian Friel, James Fritz, James Graham, Dennis Kelly, Rebecca Lenkiewicz, Gbolahan Obisesan, Evan Placey, Sarah Solemani and Jack Thorne, the book offers rich and diverse roles ranging from teens to adults.Each audition speech also comes with invaluable supporting material – compiled by NYT Associate Artist Michael Bryher – to help you perform the piece to its maximum effect, including: A detailed description of the play that the speech is originally fromContextual information such as what's just happened in the play, where the monologue takes place, to whom the character is talking, and what their motivations areThings to think about when rehearsing and performing the speechThe book also provides extensive advice on choosing a speech, working on it and preparing for auditions, plus tips and first-hand insights into the monologues from current NYT members and alumni who've performed them. An ideal resource for actors auditioning for drama school, the NYT or elsewhere, as well as those preparing for showcases or competitions, National Youth Theatre Monologues offers a wide and diverse range of roles, themes and styles – meaning you’ll be able to find the speech that's just right for you.
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Test Pieces for Orchestral Auditions (Flute and Piccolo)
For many years orchestras and conservatories have wanted a practical and easily accessible edition of the orchestral passages required at auditions. An orchestral musician is expected to know and to have mastered not only the solo literature of his instrument but especially the opera and concert repertoire as well. The present edition contains those passages which a musician is expected to have at his or her command before being accepted into an orchestra. Unlike the many existing "orchestral studies", this collection focuses on the material commonly used in auditions. It thus forms a foundation for the practical training of young orchestral musicians, and serves professional musicians as a means of practicing difficult passages. This project was initiated at the behest of the German Music Council and the German conservatories. It is based on statistical studies carried out by the German Union of Orchestras and from many years of professional experience gained by the editors themselves, all of whom are members of orchestras and conservatory staffs.Orchester-Probespiel: Flöte, PiccoloflöteSeit langem besteht in Orchestem und ,an den ausbildenden Hochschulen der Wunsch nach einer praktischen und leicht zuganglichen Ausgabe der bei einem Probespiel vorgelegten Orchesterstellen. Von einem Orchestermusiker wird erwartet, daS er neben der Sololiteratur seines Instrumentes insbesondere das Repertoire der Opem- und K.onzertliteratur kennt und beherrscht. Fiir die vorliegende Ausgabe wurden jene Passagen zusammengestellt, deren Beherrschung unabdingbare Voraussetzung fiir die Aufnahme in ein Orchester is . Im Unterschied zu den in groBer Fiille vorhandenen , Orchesterstudien" konzentriert sich die Sammlung auf das in der Probespiel-Praxis iibliche Material. Sie bildet somit eine Grundlage fiir die praxisorientierte Ausbildung des Orchestemachwuchses; dem praktizierenden Musiker dient sie dariiber hinaus zur wiederholten Ubung schwieriger Stellen. Angeregt wurde das Projekt vom Deutschen Musikrat und den Musikhochschulen. Die Auswahl der Orchesterstellen beruht auf einer statistischen Erhebung der Deutschen Orche-stervereinigung (DOV) sowie auf der langjalirigen Berufserfahrung der einzelnen Herausgeber als Orchestermusiker und Hochschulpadagogen.
Price: 24.95 £ | Shipping*: 3.99 £
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Which classical titles are suitable for singing auditions?
Classical titles that are suitable for singing auditions include arias from operas such as "Nessun Dorma" from Puccini's Turandot, "O Mio Babbino Caro" from Puccini's Gianni Schicchi, and "Una Furtiva Lagrima" from Donizetti's L'elisir d'amore. Art songs by composers like Schubert, Schumann, and Brahms are also popular choices for auditions. It is important to select pieces that showcase your vocal range, technique, and musicality while also being appropriate for your voice type.
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Do you know any reliable websites for acting auditions?
Yes, there are several reliable websites for finding acting auditions. Some popular ones include Backstage, Casting Networks, and Actors Access. These websites often list a variety of casting calls for film, television, theater, and commercial projects, and allow actors to create profiles and submit themselves for roles. It's important to research each website to determine which one best fits your needs and budget.
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Are there acting auditions for 12-13 year olds?
Yes, there are acting auditions for 12-13 year olds. Many casting agencies and production companies hold auditions specifically for young actors in this age range. These auditions can be for various projects such as TV shows, movies, commercials, and theater productions. It's important for young actors and their parents to research and find reputable auditions through legitimate sources to ensure a safe and professional experience.
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Do Kpop auditions really accept foreigners, as you know?
Yes, many Kpop entertainment companies do accept auditions from foreigners. In fact, some companies actively seek out international talent to diversify their groups and appeal to a global audience. Many Kpop idols are from countries outside of South Korea, and there are successful foreign members in popular Kpop groups. However, it can still be a competitive and challenging process for foreigners to break into the Kpop industry.
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